George J. Folsey
George Joseph Folsey (July 2, 1898 – November 1, 1988) was an American cinematographer who worked on 162 films between 1919 and his retirement in 1976. He worked for both Associated First National and Paramount Astoria Studios before relocating to Hollywood and Metro-Goldwyn-Mayer, where he spent the bulk of his career.
Folsey's many credits include The Letter, The Cocoanuts, Animal Crackers, The Great Ziegfeld, A Guy Named Joe, The White Cliffs of Dover, Meet Me in St. Louis, The Clock, The Harvey Girls, Adam's Rib, A Life of Her Own, Million Dollar Mermaid, Seven Brides for Seven Brothers, The Cobweb, Cash McCall, and The Balcony. For television he served as director of photography for various episodes of the ABC series The Fugitive and an NBC special starring figure skater Peggy Fleming, for which he won an Emmy Award for Best Cinematography For Nonfiction Programming.
Folsey was nominated for the Academy Award for Best Cinematography thirteen times but never won. Eight months before his death he was honored with the first Lifetime Achievement Award presented by the American Society of Cinematographers, for which he served as President in 1956-57.
Folsey's son George Jr. was a director/producer/editor.
Folsey died in Santa Monica, California.
| Known For | Camera |
|---|---|
| Most Rating | 0.4958 |
| Birthday | 1898-07-02 |
| Place of Birth | New York City, New York, USA |
| Also Known As | George Folsey, George J. Falsey, |
1982
The Marx Brothers in a Nutshell
9/1
A fascinating look at the most beloved comedy team in motion picture history. Exclusive interviews with those closest to the brothers supplement this...
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The Marx Brothers in a Nutshell
1921
The Road to London
9/1
An American millionaire visiting London falls in love with a young aristocrat and elopes with her, pursued by a rival suitor.
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The Road to London
1941
You Can't Fool a Camera
6/5
This short starts out as a documentary. In a dramatization, Eadward Muybridge's photographic experiments prove that when a horse gallops, there are ti...
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